Writer, Teacher
I’m proud to have my review of Ashley M. Jones’s Lullaby for the Grieving in the newest issue of Appalachian Journal. Her book is a poetry collection published last year. She served as poet laureate of Alabama from 2022 until 2026.
I’ve completed a poetry manuscript. Its original title was Man Sold Separately, but I’m now calling it Pull and Stitch the Flesh. After receiving quite a few rejections, I just found out that the book was named a finalist in the Poetic Justice Institute’s Editor’s Prize for a BIPOC writer. I didn’t win, but this news does give me hope for the manuscript. I’ve gone in and done some additional revisions on the poems this summer, and I’m confident that I’m getting closer to publication. Yay!
Congrats to the winner and the other finalists listed below. 🎉 🎊🍾🎈
Y’all, I’m proud to announce that my next book project is an edited anthology on Southern poverty. I’m editing and curating poems and essays for the publisher, Loblolly Press. The book is forthcoming in fall 2027. Click here for more info on the anthology.
Went to Nashville today to visit with a friend, and she took me to McKay’s bookstore. I thought I’d buy 1-2 books, but I wound up with all these, plus a blank journal not pictured here. Money well-spent! ❤️❤️❤️
This year’s installment of Women Speak is almost out, and here’s the cover. So proud to be included alongside so many wonderful women writers. Yay!
West TN PBS | Tennessee Writes
— Read on www.westtnpbs.org/tv-schedule/tennessee-writes/
Proud to have been interviewed about my book Daughters of Muscadine on the local PBS station in Jackson, TN. Shout out to Peter Noll and Baily Luther for inviting me! ❤️
I’m listening to the audiobook of New Nigeria County by Clare Brown. It’s a satire I found on Audible.com about a Black woman who calls 911 on a White youth in her neighborhood. She assumes he’s a gang member because he’s wearing cargo shorts. Whites are marginalized in the community. For instance, Blacks tell them their names are difficult to pronounce, and Europe and European culture are disparaged. The book plays off of race-based stereotypes, and to some degree, gender-based stereotypes too. The things I like best about it so far are the writing and the readers/actors. Inflections in the voices of the actors made me chuckle, and several clever jokes stood out. Try it if you like satire.
Recently, I was on a panel for a podcast called Story Works. Our topic was “What Makes Writing Objectively Good?” Big thanks to Alida Winternheimer for inviting me, and a shout out to all my other co-panelists: Mark, Daniel, Miriam, Liz, and Kathryn. Here’s the link to the episode:
Monic Ductan 